{"id":86540,"date":"2024-11-12T16:29:00","date_gmt":"2024-11-12T15:29:00","guid":{"rendered":"https:\/\/www.marcolin.com\/stories\/unkategorisiert\/michela-dangelo\/"},"modified":"2024-11-12T16:44:03","modified_gmt":"2024-11-12T15:44:03","slug":"michela-dangelo","status":"publish","type":"post","link":"https:\/\/www.marcolin.com\/de\/stories\/boundless-visions\/michela-dangelo\/","title":{"rendered":"Michela D’Angelo"},"content":{"rendered":"
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\n \n 1.\tIn a scenario of new debuts, confirmations and revolutionary collections, what are the most significant trends for SS25? If you had to choose an iconic fall-winter look, who would step onto your personal podium? <\/span>\n <\/h2>\n
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I\u2019m not sure it makes much sense today to talk about trends associated with fashion shows. With so many pre- and main collections, basically any trend is reinterpreted cyclically, at least this has been the case over the past ten years, with the offer being so broad. I\u2019d rather focus on what I\u2019ve seen that has impressed me the most during this season at times characterized by understated shows, with the brilliant exception of Pieter M\u00fclier for Alaia, Vaccarello for Saint Laurent and Blazy for Bottega Veneta. Dramatic dresses created with great taste and awareness, in line with the brands\u2019 respective heritages but not stranded in the burden of the glorious past of one\u2019s predecessors. Anthony Vaccarello\u2019s SS show for Saint Laurent was all about Yves\u00a0(who has always been my greatest love) and the collection was split in two: men\u2019s (let\u2019s call it daily) tailoring first, and extremely luxurious, colorful and decorative evening attire secondly. Well, on the top step of my podium I would place a shirt-and-tie suit from this impeccable collection, Bottega\u2019s culottes and a look with sweatpants by Alaia, a new take on Halston\u2019s 1970s shirts.<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n \n 2.\tFrom model to stylist to working for a cult magazine like MUSE. Your looks reveal many different worlds, from fashion to art and music, which basically form your background. What are the pillars on which your styling vision is built? Who is the most fascinating person you\u2019ve worked for as a stylist? <\/span>\n <\/h2>\n
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I\u2019d say there are three ever-present key aspects: attention, pragmatism, culture. My career in the fashion industry has evolved from modeling to working as a fashion editor to digital communications; I believe I\u2019m a curious person, I find inspiration everywhere and anytime, I\u2019m obsessed with images, with artists\u2019 visual language, art is the major starting point for my research and music has always played a key role. For example, I love working with Francesco Bianconi from Baustelle, a person that I think highly of and with whom I share many references, we love the same musicians, like Bryan Ferry, Lou Reed, Velvet Underground, Gainsbourg and so on.<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n

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\n \"Visions\n <\/div>\n <\/div>\n<\/div>\n\n
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\n \n 3.\tFrom co-star to guest star, eyewear today is no longer just an \u201caccessory\u201d: what\u2019s your relationship with the world of eyewear? How do you choose a pair of glasses to add an extra edge to a look? <\/span>\n <\/h2>\n
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This question comes at a time when I\u2019m absolutely obsessed with eyewear, especially optical frames that I\u2019d like to wear more often. I\u2019d like to try a pilot metal shape, I love frames with dark lenses, and black is always my favorite option. Never leave the house without a pair of black sunglasses.<\/p>\n <\/div>\n <\/div>\n<\/div>\n\n

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