更换语言

选择语言

Error label*

Photo: Lorenzo Pellegrino

Behind the scenes

Back to stories

About

From the idea to the prototype

If we were looking for a simple definition, a dictionary would suffice to discover that prototyping is that stage of the industrial process in which a product prototype is created, and that, by extension, it refers to the company department dedicated to its creation. To gain access to the world that lies behind simple definitions, we visited the Longarone headquarters of the Marcolin Group to find out more.

di Newsroom

Everything stems from an idea

Accompanied by our expert guide Simone Longo, who is the Prototyping Manager for Marcolin Group worldwide, we discover that in the creation of a pair of glasses with a unique design and a perfect fit, there is an intermediate part of the process which, like a bridge between two worlds, verifies the feasibility of an idea and can prevent any errors in the subsequent production phase. Prototyping is very close to the concept of virtuosity and does what is expected of someone who is used to experimenting: combining a high degree of technical skill and experience with a virtue linked to a dimension of the soul, empathy. “For us, everything starts with the idea, established through an aesthetic drawing or a draft, from the designer or brand,” explains Longo. For an idea to be transformed into a product, it is vital to be able to capture its essence, that unique matrix to which a body can then be given. It is the understanding of the message to be communicated that allows the prototype maker to proceed to the next stage of the prototype production process.

Prototyping is very close to the concept of virtuosity and does what is expected of someone who is used to experimenting: combining a high degree of technical skill and experience with empathy

Project feasibility

“Starting with the sketch of the idea, we produce an initial 2D drawing that leads to a preliminary discussion with the designer. The critical aspects of a project are already emerging at this stage. Only afterwards is the 3D model made, with which the technical correctness and compliance with the aesthetic requirement is checked in detail,” Longo continues, moving inside that special world.
It is divided into two areas: the first is the design part, in which experienced technicians develop the design using the latest technologies such as 3D printers, and they also mill the materials. The second, on the other hand, is characterised by the craftsmanship of the artisans, operators who, with the help of numerous small machines, assemble the glasses and give that final touch of sensitivity that contributes to making the end result special. The prototype department must be able to develop any type of machining required, with the ability to have control over quality and meet deadlines.

For us, everything starts with the idea, established through an aesthetic drawing or a draft, from the designer or brand. For an idea to be transformed into a product, it is vital to be able to capture that unique matrix to which a body can then be given

Prototyping is a multi-lane motorway

This is how Longo imagines it. “In one lane we have maintained and enhanced craftsmanship, whose approach leaves more room for the sensitivity of the prototype maker. The other lanes, on the other hand, are reserved for the development of paths leading towards virtual reality and new technologies. It is often the brands themselves that prompt us, by means of projects which we know from the outset will not go into production, but which will give us the opportunity to test out new production methods.” The use of 3D printing has proved successful in two ways. Firstly, because a preview of a prototype provides an opportunity for dialogue with the designer, reducing reworking, wasted material and time. Secondly because it has made it possible to simulate stages of production that it would not be possible to use for reasons of cost and time in a very short time frame. Research and the desire to experiment are ongoing goals, pushing us towards ever greater targets: to have all stages of development taking place in-house, with the best possible output in order to ensure high quality and on-time delivery. Working on strategic areas has always been one of Marcolin Group’s key strengths.

  • Behind the scenes About New MetaHumanism

    There are several factors that influence the shapes and colours of the glasses we wear. Needs, desire and necessities are the elements that a creative intercepts, by means of intuition, in order to give body, shape and colour to tomorrow’s collections.

    di Newsroom

  • Tell me a story About The Great Cosmic Mother

    Of all the stories offered up by legend, that of the Great Mother spans the five continents. In Stockholm, the first retrospective on Monica Sjöö, a Swedish artist, eco-feminist and activist, offers insights into hot topics from yesterday as well as today: from the struggle for equal rights to the history of feminism and ecology, via legend and spirituality.

    di Newsroom

  • Tell me a story About The 1960s

    In 1960, three Hollywood stars gathered in Reno, Nevada, to shoot a film that Time Out would define as a superb anti western. Photographic cooperative Magnum realized how exceptional the event was and sent 9 of its most talented photographers to document the film’s behind-the-scenes. Today, an exhibition curated by Forte di Bard and Andrea Holzherr for Magnum Photos Paris shows the set backstage images of a movie that has made history, The Misfits, where Marilyn Monroe’s allure is captured forever: a style icon and a symbol of an era that still inspires us today.

    di Newsroom