Autor: Newsroom

«Through this sport I’ve learned a lot about myself—I’ve grown, and compared to when I started, my perspective has completely changed. At the beginning I was very focused on performance and winning. Today, my focus is on giving my best, not necessarily on being the best. You know, when you’re out there for more than 12 hours, you can’t hide from yourself—you have to face who you truly are. I believe ultra running has taught me to let go of control a little, to be more adaptable and open to change, and above all, to be patient. Ultramarathon running is not a sport you can improvise—performance doesn’t come overnight; it requires consistent commitment and a great deal of patience».

«I’ve always been very sporty since I was a child, and as I grew up I tried many different sports. Then I discovered trail running at a time in my life when I needed a challenge—something that would allow me to step outside my thoughts. Running in nature is an incredibly powerful way to calm the mind. Extreme sports also force you to truly face yourself and your vulnerability».

«Running is an incredibly technical sport, exposing you to a wide range of lighting conditions and terrains: there may be rocks, mud, snow; you might be in the shade or under full sunlight, and all of this, if you don’t have a clear view, can truly impact performance. Of course, you need to be able to trust your equipment—your shoes, your backpack, everything—but vision is one of the key factors. adidas Sport Eyewear glasses, thanks to the Powervizn Lens System technology, ensure color brilliance and visual clarity in all conditions, with a base tint and a mirror coating calibrated to confidently tackle any terrain. And in trail running, running safely is the most important aspect».

«Everything begins with observing reality through the eyes of children, who are always able to see something else within things, something that has always come quite naturally to me. For example, the idea for the rain game came from watching raindrops on a windowpane. I am currently working on a story built around a popsicle, which will soon move into the prototyping phase. I usually build prototypes using paper: thinking with my hands helps me refine the idea. Only then do I consider the material, involve my collaborators and, finally, create a video to show how it works».

«Inclusion and attention to diversity are now essential principles. There are no longer pink or blue toy boxes, games are for everyone. From my perspective (not only as a professional, but also as a mother of five), children are naturally curious and inclusive towards others, without distinctions. If they do not absorb them from adults, they do not develop prejudices».

«There are no preconceptions. Mitchell Resnick, Professor of Learning Research at the MIT in Boston, has long been exploring how new technologies can engage both children and adults in creative learning, because we are happiest when we are creative. Digital play is positive as long as it is not limiting – that is, as long as it does not hinder children’s creativity – and contributes to building connections between different cultures».

«When the Accessories Council was founded in the mid-1990s, fashion was at the height of minimalism: many designers did not place much importance on accessories, and several brands had not yet expanded into handbags, jewelry, eyewear, or footwear. Today, accessories are an essential part of a brand’s identity and strategy. They are no longer secondary categories but are often among the most visible elements of a collection, thanks to their accessibility, versatility, and durability. Accessories can have exceptional longevity: they can be worn repeatedly, stored, collected, and appreciated for years—often much longer than apparel. The right accessory is one of the simplest and most effective ways to refresh a wardrobe, transforming a basic piece into something unique. In terms of ‘cost per wear,’ accessories remain one of the best investments in fashion».

«Today, one of the greatest opportunities for brands lies in expanding into new categories while staying true to their core identity. The most successful brands are those that manage to enter new product categories while preserving the essence, perspective, and DNA of the designer or the company. At the same time, the current retail environment, particularly in the luxury segment, presents challenges in how and where brands connect with consumers. Many brands are developing direct-to-consumer initiatives, partnering with specialty stores, and finding innovative ways to engage audiences through pop-up stores, festivals, social media, collaborations, and experiential retail. Fashion is constantly evolving, and only brands that are innovative, agile, and willing to experiment with new ideas will endure. In today’s market, standing still is not an option».

«Marcolin has built an extraordinary portfolio of brands spanning different aesthetics and price segments, with each collection reflecting a deep understanding of the brand’s DNA. What makes Marcolin particularly compelling is its ability to combine functionality with fashion: eyewear must serve a practical purpose, but Marcolin’s collections also offer a reason to desire something new and special, closely connected to brands that consumers love. As the company continues to evolve, its ability to combine outstanding design, international talent, and a strong strategic distribution network strengthens its global leadership. Marcolin has the opportunity not only to respond to the future of the accessories industry, but also to help shape it».

Jennie McCormick: «The design principles behind our eyewear started with the same foundation as everything we do at rag & bone — quality materials, signature hardware details, and a commitment to getting the small things right. We focused on classic yet innovative shapes and material combinations that feel unmistakably us, while also allowing room to evolve.The color and material stories, the signature hardware, and the branding details all work together in a way that feels considered rather than decorative. Nothing is arbitrary. The balance between design quality, functionality, and restraint is the space rag & bone embodies — and the eyewear is no different. What makes a pair feel unmistakably rag & bone is something you notice immediately. There’s a weightiness to the frames — the quality is apparent the moment you pick up a pair, much like touching one of our fabrics. The closer you look, the more intentional the design feels: logo placement, hinge functionality, finishing details — all of it is considered, and all of it feels. That quiet attention to detail is at the core of who we are».

Kyle M. Sweeney: «The Spring ’26 collection was our first large drop, so we approached it with a sense of restraint – starting from familiar, archetypal shapes and refining them through proportion, tone, and materiality to feel modern and relevant. We’re not interested in reinventing icons – we’re interested in refining them. A key part of the design language comes from our three clusters, inspired by workwear – an enduring pillar of the brand. Across our ready-to-wear, you see details like contrast bartack and railroad stitching in knitwear, and triple-needle construction throughout some of our denim and wovens. That thinking translated directly into the eyewear. The “triple stitch” cluster reflects that heritage, expressing our focus on quality, innovation, and authenticity through subtle detailing and construction. From there, the collection opens into something more expressive, where color and transparency introduce a quiet sense of individuality, and into a more technical space where hardware and construction become part of the visual language. The palette is intentional – olive, fudge, tort – colors that feel lived-in rather than decorative. It’s designed for a global, urban customer who moves fluidly between environments and dresses with instinct rather than effort. There’s a quiet confidence – nothing feels forced, but everything is considered».

Jennie McCormick «We always start with a strong foundation in classic eyewear shapes — that’s non-negotiable. But within that foundation, there’s a lot of room to play. Our design meetings are genuinely fun and inspiring: we try on shapes, debate proportions, and discuss how to adapt emerging trends so they feel like rag & bone. As someone who is obsessed with eyewear — I own more than 20 pairs of sunglasses and counting — being in those conversations never gets old. The key is creating shapes with intention. The eyewear world is vast, and trends move fast. But much like our clothing, we want our eyewear to feel effortless and timeless — something that enhances an outfit and adds a quiet edge without ever feeling like it’s trying too hard. Innovation shows up in the details rather than the headline. Our color combinations, finishes, and hardware details are where we push boundaries — subtly, deliberately, and always in service of the overall aesthetic, and completing the rag & bone look».

Kyle M. Sweeney «We’ve always existed in the tension between heritage and modernity. Looking ahead, it’s about elevating the brand, expanding the lifestyle, and innovating to meet the needs of the customer of the future – while staying grounded in that heritage. We see a real opportunity in building out a broader product ecosystem, with eyewear playing a critical role in that evolution. What’s interesting now is exploring that tension through new materials, finishes, and construction techniques – particularly in categories like eyewear, where the product is both functional and deeply personal. Eyewear becomes a natural extension of the wardrobe. Something that completes a look, but also subtly defines it. It’s not an accessory. It’s an expression of identity at eye level. Ultimately, it’s about building a more complete, head-to-toe perspective, where every piece feels considered and connected».

Jennie McCormick: «Marcolin brings decades of expertise and a deep, nuanced understanding of the eyewear industry — that kind of knowledge is invaluable, especially as we continue to grow and scale the collection. What excites me most is how much their know-how elevates what we’re able to execute. The collaboration between our teams is genuinely creative and collaborative. There’s a real back-and-forth — the Marcolin team pushes us, we collaborate with them, and the result is better than either of us would arrive at alone. What makes it feel so natural is a shared starting point: quality first, always viewed through the lens of considered design and meaningful innovation. Marcolin doesn’t just manufacture — they think about product the way we do. That alignment in values is rare, and it’s what makes us genuinely excited about where this goes».

Kyle M. Sweeney: «The rag & bone customer is highly attuned. They edit, refine, and collect with intention. There’s an ease to how they dress, but it’s never accidental. They’re not chasing trends – they’re building a point of view. That mindset shapes everything. Frames are designed to move effortlessly across moments…from morning to evening, and from everyday life to travel – without needing to be reconsidered. There’s also an emotional layer. Eyewear has an immediacy – it frames the face, shifts posture, and changes how you’re perceived. A great frame doesn’t just complete a look; it alters your presence. The collection is grounded, but never static. We lean into subtle disruption in proportion, tone, and detail. It’s about precision, with just enough tension to make it feel personal».

«Murano has undoubtedly shaped my creative path. Growing up on this island means being immersed in the gestures, tools, and materials, understanding the value of the gesture, the importance and ritual of making, and the ability to transform matter. Today, more than ever, after 25 years, I feel deeply connected to this side of my roots. With Nichecraft, the independent creations signed by my studio, I wanted to bring creativity and the human dimension of making back to the center».

«Design is a form of applied art, conceived to be produced in series, numbered or not, but always with meaning and intention. It means taking risks to create something new and unexpected, exploring creativity in all its dimensions. Every project should be carefully conceived, intentionally made, and designed to last, because creativity is a way to build connections».

«Designing eyewear was a unique experience, especially because I approached that model in a very personal way, so that it would fit my face perfectly. Design, material choices, and color aesthetics all come together to create an object that doesn’t dress a part of the home, but a part of the body. Once again, these pieces are carefully designed, intentionally made, and meant to last. This is a sector whose future, especially after the advent of smart glasses, is truly unpredictable, but I believe that technological elements will ultimately add even more value to the manufacturing knowledge at the core of this industry».