A New Showroom in Barcelona

The Location

Set along one of Barcelona’s main and most iconic thoroughfares, Avenida Diagonal, Marcolin’s newly inaugurated showroom brings a bright, flexible 500-square-meter environment to the city center. The layout seamlessly integrates day-to-day office operations with an expansive exhibition area dedicated to the company’s portfolio brands, a versatile stage for product presentations, meetings, and business negotiations.

The Goals

Following recent openings in Paris, New York, and London, the Barcelona showroom marks an important milestone for a company that has embraced an international outlook since its beginnings. It reinforces Marcolin’s footprint in Spain and Southern Europe, offering a space designed for dialogue, idea-sharing, collaboration, and commercial partnerships, as highlighted by Antonio Jové, Marcolin’s Head of EMEA.

International Presence

The new Barcelona showroom joins Marcolin’s network of 15 subsidiaries across Europe (Benelux, DACH, France, Italy, the Nordics, Portugal, Spain, and the United Kingdom), the Americas (United States, Brazil, Mexico), Asia (Hong Kong, Shanghai, Singapore), and Australia (Sydney). This global presence, supported by more than 150 distribution partners worldwide, reflects the company’s commitment to building direct connections with every market and delivering increasingly tailored services to its customers.

Giuseppe Orlando

1

From your global experience, what defines the Asia-Pacific market today, and what financial strengths drive success?

«The Asia-Pacific region is one of the most complex and rapidly evolving in the world, a mosaic of mature markets with tighter margins in Northern Asia, and fast-growing economies in Southeast Asia. To succeed, you need to combine global discipline with local agility, acting simultaneously as strategist and risk manager. At Marcolin Asia, we have developed a Commercial Finance function designed to drive pricing excellence, capital efficiency, and positive cash growth. Through real-time analysis and cost-optimization initiatives, we’re able to balance resilience and expansion – as shown, for instance, by the success of the bold investment decisions we made during the pandemic, what I like to call “formative risks”, which are now paying off. The real differentiator lies in turning volatility into opportunity: aligning global priorities with local realities and enabling the company to do more with less».

How does Marcolin Asia’s finance division contribute to shaping the brand’s long-term strategy?

«Today, the CFO is no longer just a backstage manager but a strategic player in business decision-making. At Marcolin Asia, the Finance function is fully integrated across all departments, collaborating with Commercial, Marketing, Supply Chain, Human Resources, and Customer Service. Externally, Finance also acts as a corporate ambassador, engaging directly with clients, distributors, suppliers, and financial institutions to foster transparent and sustainable partnerships. More recently, we’ve involved customers in joint strategic investments, demonstrating how disciplined collaboration and shared investment can drive growth without compromising governance and financial rigor».

3

What are Marcolin’s short- and medium-term goals in Asia?

«Marcolin enters 2026 with a solid structure and renewed momentum. The addition of ic! berlin strengthens our luxury portfolio and reinforces our presence in Asia, opening new growth opportunities in China, Australia, and Southeast Asia. In the short- and medium-term, the company will continue to manage its resources prudently, protecting profitability and improving cash generation, while pursuing steady, long-term growth built on trust and transparency».

The German Art of Innovation: Inside ic! berlin

Handcrafted in the Heart of Berlin

Going against the trend of many luxury brands that have moved production abroad, ic! berlin has remained faithful to its roots. This is one of the key reasons behind the exceptional quality of its eyewear. Every frame is still handcrafted at the brand’s Berlin headquarters, where experts in design, production, and technology work side by side. From the first sketch to the final assembly, each pair of glasses is conceived, shaped, tested, and finished entirely by hand.

Stainless Steel: The Brand’s Signature

At the core of ic! berlin’s philosophy lies a bold, forward-thinking choice: the use of an industrial material, cold-rolled stainless steel, transformed into a piece of design. The process unfolds in four stages. It begins with sculpting the frame from a flat sheet of stainless steel, ensuring balance, stability, and comfort, and concludes with PVD finishing, a vacuum process that minimizes toxic waste and significantly reduces CO₂ emissions.

The Evolution of Design, according to ic! berlin

ic! berlin is recognized as one of the pioneers of screwless eyewear design. Its exclusive hinge construction has redefined durability, flexibility, and lightness, setting a new standard in premium eyewear. Each frame is guaranteed by the ic! berlin logo and its unique laser-engraved serial number. Three decades after its founding, ic! berlin remains true to its original philosophy: merging technology with a human touch to designing, engineering and manufacturing ultra-light and flexible frames that defy convention.

Pink Walk Marcolin for AIRC

Step by step, for everyone’s health

The collaboration between Marcolin and AIRC – the Italian Foundation for Cancer Research – grew even stronger this year, thanks to the participation of hundreds of employees and partners in the Pink Walk, the solidarity walk organized during Breast Cancer Awareness Month. A special moment to remind us that prevention is the first and most essential tool in the fight against breast cancer.

 

Numbers that bring hope

Every year, 55,900 new cases of breast cancer are diagnosed in Italy, making it the most common form of cancer among women. But there’s good news: research and prevention are making a real difference. Today, the five-year survival rate after diagnosis has reached 91%. Pink October is therefore a key time to renew our collective commitment to awareness, with free medical check-ups, open days, and initiatives across the country – including the Pink Walk, which symbolically brings together communities, institutions, and companies.

From Italy to the world: a global pink wave

From Longarone to Milan, London to Paris, Berlin to Barcelona, and all the way to New York, Mexico City, Singapore, Sydney, and Shanghai – Marcolin teams around the globe proudly wore the pink t-shirt, a symbol of research and hope. A simple yet powerful gesture that connects people and cultures in pursuit of a shared goal: supporting research and spreading a culture of prevention. Since 2024, Marcolin has been walking alongside AIRC, firmly believing that every step – even the smallest – can make a difference.

Vicky Yeung

1

What is your strategy for promoting Marcolin products in such a vast region?

«In a fast-changing and unpredictable world like ours, the first thing we need is the ability to respond quickly to market demands. To do this, we start with solid research and analysis of market feedback and consumer data from social media platforms, which we then segment by age and income groups. Based on these insights, my team of designers works to adapt the portfolio models to the specific needs of our customers — always staying true to the brand identity and in close collaboration with Marcolin’s headquarters».

2

How do you manage to meet the needs of such diverse markets?

«Countries like Japan and Korea are very different from China and Thailand, so offering a single global collection for the entire APAC region would be a mistake. Japanese customers, for example, prioritize premium quality and craftsmanship, while the Korean market is driven by younger consumers who prefer bold trends inspired by K-pop — from oversized clothing to integrated tech accessories. Countries like Indonesia, Vietnam, and Thailand, on the other hand, require versatile and more affordable models that combine understated style, easy pairing, and sustainable production».

3

Looking ahead, are you planning an Asian line for ic! berlin as well?

«That’s definitely our next challenge. Ic! berlin has a strong reputation for technical features like lightness, screwless design, and flexibility, as well as for its ultra-contemporary style. To enhance brand recognition in the Asia-Pacific area, we’ll need to create a dedicated collection, as Asian consumers — increasingly design-conscious — tend to prefer high-quality products that also reflect local cultural elements. Our task will be to adapt a valuable brand like ic! berlin to these expectations. Because offering a unique experience to our customers and building strong relationships with them are the two pillars that can turn the diversity of the APAC region into an opportunity».

ic! berlin: Modernist Inspiration

A Bold Urban Experiment

Inspired by Berlin’s modernist architecture, ic! berlin’s September ’25 Collection owes much to the distinctive style of the Hansaviertel district, where a new generation of designers and architects reshaped the cityscape from the 1950s onwards. From Oscar Niemeyer to Alvar Aalto, Le Corbusier to Egon Eiermann, Walter Gropius to Arne Jacobsen, their vision of a modern, bright, functional, and green city gave rise to one of Berlin’s most ambitious urban experiments. Iconic buildings such as the “Schwedenhaus,” designed in 1956 by Fritz Jaenecke and Sten Samuelson, were chosen as the backdrop for the new ic! berlin campaign—a fitting tribute to architectural innovation.

New Finishes in the Collection

Comprising five distinct models, the new ic! berlin collection reflects the organic, minimalist shapes of these architectural masterpieces, as well as their colors—from mimosa yellow to Mondrian blue—and finishes. For the first time, each frame is offered in two different finishes: matte on the upper portion and glossy on the lower. This subtle detail alone adds depth to each pair of glasses. Among other innovations, the Gallium model introduces a tactile texture for the first time, replacing the classic cold-laminated stainless steel with metal engraved with delicate nature-inspired lines that create a soft play of light and shadow.

More ic! berlin Innovations

Alongside Gallium, the Thilo model stands out with its precise, geometric lines, softened by a Pearl/Chrome finish—or for those preferring a more understated look, in glossy black. The new Eike model also plays with dual finishes—matte above, glossy below—transforming the classic intellectual round frame with mimosa and cream tones. The Loris sunglasses reinterpret the classic Pilot shape, radiating retro charm in a dark gray/Tiziano red combination. Finally, the Jonte model embraces simplicity, pairing graphite tones in glossy and matte finishes for a more casual touch on a timelessly elegant frame (more information on www.ic-berlin.com)

Marcolin’s New Collections at Silmo Paris 2025

Record-Breaking Numbers

Much more than a trade show, since 1995 Silmo Paris has been the international stage and beating heart of the eyewear industry. With 900 exhibitors from around the world (42 countries represented this year), the event – taking place from September 26 to 29 – will once again attract thousands of visitors and buyers (32,000 attendees in 2024) for an edition aptly named “The Place to See”. It’s the perfect opportunity to explore innovations from 1,500 different brands, discover emerging talents, and attend talks on tomorrow’s trends in a constantly evolving and innovative sector.

Marcolin’s Brands

A Paris regular since 1976, and now present with a new showroom on the elegant rue De Richelieu for the past two years, Marcolin will participate in this year’s Silmo Paris to showcase its latest brand collections. Among the most anticipated releases is the exclusive model from TOM FORD’s Fall-Winter 2025/26 runway, designed by creative director Haider Ackermann, featuring a dynamic silhouette and the signature rose gold “T” on the temples. Also drawing attention is the reinterpretation of ZEGNA Eyewear’s iconic Orizzonte I model, which adds a refined top bar to its metal frame, evoking mountain profiles. Plus, the debut collections by Marcolin for Abercrombie & Fitch and Hollister.

The New Collections

At Marcolin’s booth, visitors will also find the latest eyewear collections from Christian Louboutin, featuring the unmistakable red detail on the sides of the brow bar, and K-WAY, showcasing its futuristic mask-style sunglasses. GUESS embraces the vibrant spirit of the 2000s with its newest frames, while Max Mara opts for sleek rectangular mask-style sunglasses with metal fronts. Not to be missed are the latest from adidas, including the new Anemos Light model with a wraparound frame and large lenses for optimal protection, and ic! berlin, which will unveil Horizontal Color Split, a collection with a lightweight design and refined color gradients. So many new releases make this year’s event truly unmissable.

Jiang Honglin

An Ancient Tradition

Born in Guizhou, Jiang Honglin is the world’s most renowned artist in the ancient art of paper cutting, recognized as intangible cultural heritage in China and a cornerstone of Miao artistic identity. Although the technique is practiced throughout China, the Miao variations stand out for their symbolic richness and deep connection with ethnic traditions.

Jiang Honglin’s work draws inspiration from a vast collection of traditional motifs, merging them with a modern aesthetic in her tireless pursuit of manual perfection. Thus, transcending the boundaries of time and geography, Jiang Honglin’s creativity meets Marcolin’s craftsmanship—both born of the same devotion to detail and artisanal precision.

The Gestures

Watching Jiang Honglin’s small scissors move gracefully and swiftly across the paper is like witnessing a dance performance: the artist works quickly and precisely, freehand, following patterns that have belonged to Miao tradition for millennia. Her paper cutting comes to life, transforming into richly decorated silhouettes of twin dragons, divine birds with splendid plumage, or delicate “butterfly mothers.”

In her unique ability, as critics say, to “give soul to paper,” one finds the same principles of attention to detail, symmetry, and balance between form and function that also permeate Marcolin’s creations: both celebrate craftsmanship as a form of expression and visual storytelling.

The Value Of Objects

Thanks to figures like Jiang Honglin, the intangible cultural heritage of a country can remains alive and be renewed through a contemporary language. The value of objects lies in their ability to embody abstract cultural concepts, personal traits, and social identities. Just as a paper carving transforms a sheet into a cultural narrative, so too does Marcolin’s artisanal excellence transcend the mere functionality of a pair of glasses, turning them into a distinctive and identity-defining symbol.

Eyewear: A Thousand-Year History

The Collections

From the first corrective lenses, invented in the 1200s, to the Venetian eyewear industry of the 14th century, and on to frames made of bone, horn, wood, and metal, the collections include arch, wig, or hat eyeglasses, as well as the first rigid side arms invented in the early 1700s—these are just a few examples of the rare items on display at the Eyewear Museum of Pieve di Cadore. Thousands of historic objects can be found there: frames, prescription and sun lenses, cases, and true rarities such as eyeglasses made from whale baleen and carved, decorated ivory, as well as miniature spectacles ingeniously built into the tips of fans or into walking stick handles. Together, they create a journey through the history of eyeglasses—from their origins to the present day. 

The Museum’s History

The first idea for the museum dates to 1956, following the success of the exhibition “Eyewear Through the Centuries,” organized in Pieve di Cadore during the Winter Olympics in nearby Cortina d’Ampezzo. But the current museum, now managed by the foundation of the same name, officially came to life in 1990, after the acquisition of several important private collections. Spread across two floors, the museum today offers a chronological exhibit that ends on the upper floor with historical images, documents, and environmental reconstructions illustrating the origins of the local industrial eyewear district. 

The Rarest Pieces

Among the museum’s display cases are Renaissance-era frames made of silver, ivory, and tortoiseshell, along with bifocal lenses from the 1600s and the first sunglasses, created in Venice in the 1700s: Venetian eyeglasses with green lenses were a true symbol of elegance and protection for the aristocracy. On the upper floor, visitors discover that the Italian eyewear industry was born in Calalzo di Cadore, where the first lightweight frames and pince-nez were produced. Meanwhile, in the 1920s in Turin, the first smoked lenses for sun protection were being tested. 

We then reach the 1930s: eyeglasses start making their mark in cinema, and from that moment, a true boom begins—one that has never stopped, transforming eyewear into the lifestyle and personal identity symbol that it is today. 

Lorenzo Barberio and Leo Kistermann

1

How would you briefly define the ic! berlin brand?

Lorenzo: “A luxury brand with a minimalist aesthetic and unconventional craftsmanship: ic! berlin stands for ultra-lightweight, flexible frames that defy the rules. For Marcolin, acquiring it meant building new commercial relationships with optical retailers who focus on high-end design brands rather than fashion labels.”

Leo: “A leading brand in frame technologies using stainless steel, acetate, and titanium, and known for technical innovation—as shown by the recent development of Flexarbon, a hybrid of carbon fiber and advanced polymers that redefines frame flexibility and durability. It’s also a brand with strong focus on design, especially automotive-inspired design, thanks to partnerships with Mercedes-Benz.”

2

What is Marcolin’s current strategy for promoting the brand?

Lorenzo: “Following the acquisition, we dedicated much of 2024 to promoting our portfolio across all markets, creating distinct strategies to enhance our premium brands like TOM FORD, Zegna, Christian Louboutin, and ic! berlin, and our lifestyle brands, which include MCM, Max Mara, MAX&Co., Guess, Skechers, Timberland, BMW, and Harley-Davidson. Not to mention the sports segment, which, with adidas, offers great opportunities—especially in the Asia-Pacific region.”

Leo: “This is the time to return to ic! berlin’s roots in order to build its future as a global brand. A perfect example is this year’s ic! berlin collection: 15 frames that seamlessly blend technical elegance and innovation, featuring elements like the gradient ‘Pineapple Gradient’ lenses, the reintroduction of the iconic Robin frame with its clean and lightweight design, and a bold use of color, such as the ‘Havana Haze’ lenses.”

3

Are there other projects planned for the Asia-Pacific region?

Lorenzo: “ic! berlin is a key asset for Marcolin’s growth in the Asia-Pacific region, particularly in markets like China, South Korea, and Japan. In the first half of 2025, we recorded double-digit growth in the APAC area compared to last year. In some of these markets—such as Thailand and Taiwan —ic! berlin is already the market leader among luxury eyewear brands, and now we’re targeting Mainland China. Starting this year, we have direct market access there thanks to our subsidiary, and we expect Mainland China to eventually become the largest market in the world for ic! berlin.”

Leo: “We’ll continue to work with respect for local cultures and with the goal of offering something unique and aligned with our values and quality standards. To achieve this, we’re proud to collaborate with our local business partners and a selection of key clients to create custom capsule collections tailored to specific needs, tastes, and trends. For us, the Asian countries represent a major growth opportunity.”