WEB EYEWEAR: 20 Years Of History In A New Collection

The Values

Simple yet never predictable elegance, attention to detail, retro inspiration and contemporary lines. These are the defining features of WEB EYEWEAR, a brand that has always been synonymous with understated luxury, where style is shaped by balance and care for detail. To celebrate its first 20 years as part of the Marcolin family, this spring an exclusive capsule collection makes its debut, previewed at MIDO. A special collection featuring four new models that, through a refined and modern aesthetic, combine tradition and contemporaneity.

The New Models

Two sunglasses styles, with thick temples and a double bridge, and two optical frames that echo the same shapes with a slimmer, lighter line, designed for greater everyday comfort. These frames form this special capsule collection and are united by distinctive elements, starting with the logo, reinterpreted for the occasion, and the iconic torchon—the stylistic element that in the 1960s reproduced the propeller of an airplane, here transformed into a pure graphic sign. A defining feature, reimagined with a decorative approach, that can be found on the bridge or on the temples.

The Colours

With this new celebratory capsule, WEB EYEWEAR also plays with colour, ranging in the sunglasses from absolute black with smoke-tinted lenses to Havana-toned temples paired with yellow photochromic lenses. Completing the collection is dedicated packaging that recalls colours and textures from WEB’s style archive: a further tribute to the brand’s history and its timeless vision.

ic! berlin: a day to celebrate 30 years of independent design 

An extraordinary event

To celebrate its first 30 years of history and achievements, on March 19th ic! berlin brought its community together for a special day that began with an exclusive tour of its showroom and factory, located inside the brand’s headquarters in one of Berlin’s industrial districts.

For all guests, it was a unique opportunity to explore the spaces, discover the design and manufacturing processes behind the frames, and gain insight into the creative philosophy of one of the most innovative and cult eyewear brands on the scene.

The new capsule collection

During the tour, ic! berlin also introduced a capsule collection created specifically to mark this milestone anniversary.

The six new models — from the Marcolin-owned brand — blend tradition with innovation, offering a contemporary take on ic! berlin’s minimalist lines. As a surprising twist, the collection plays with Transformative Teal, an intense blue‑green hue that enhances the frames and reappears in the matching photochromic lenses.

A cocktail party at the museum

The celebration concluded with a dinner and cocktail party held in one of Berlin’s most atmospheric venues: the Feuerle Collection, a museum opened ten years ago inside a former Second World War telecommunications bunker.

Here, in a space rich with ambience, guests were surrounded by a remarkable display of Eastern and contemporary art from the private collection of Désirée Feuerle — from Khmer sculptures and Chinese furniture dating back to 200 BC, to works by artists such as Anish Kapoor, Cristina Iglesias and Adam Fuss.

An immersive journey into beauty from an unconventional perspective, perfectly in tune with the spirit of ic! berlin.

ic! berlin: 30 Years Of Engineering And Creativity

The Story

In a city newly reunited and animated by strong creative energy and a desire to experiment, ic! berlin was born in a Berlin apartment thanks to the eclectic Ralph Anderl — designer, singer, photographer and musician — together with two friends. It was 1996, and from the very beginning the brand captured public attention with its ultra‑light and flexible frames that challenged conventions and introduced a new paradigm in the eyewear world. They quickly became the object of desire for a generation of young creatives: lively, curious and nomadic personalities drawn to these unconventional, ultra‑light and minimalist frames in cold‑rolled stainless steel, united by the iconic screwless hinge — a unique solution in terms of lightness, durability and comfort.

The Collection

To celebrate this important milestone, ic! berlin — one of Marcolin’s house brands since 2023 — presents a special capsule collection that reinterprets its famous minimalist lines in six frames created for the occasion. Four of them are more classic stainless‑steel styles that celebrate the brand’s heritage: LEIF, WANDA, OLI THE 2ND and PINA. Two are more innovative: SODIUM and XENON. Enhancing the collection is the shade selected by the Worth Global Style Network as Color of the Year: Transformative Teal, an intense blue‑green that embodies both nature and technology, calmness and vibrant energy. The same tone is echoed in the photochromic lenses which, adapting to sunlight variations, play with the same nuance as the frame.

The Campaign

Completing the celebrations for ic! berlin’s 30th anniversary is a dedicated campaign: “I see Berlin”. It is a communication project that pays homage to the independent essence and creative energy of Berlin, the city that is part of the brand’s DNA, through some of its contemporary protagonists: nightlife photographer Sven Marquardt, Thai‑American Michelin‑starred chef Dalad Kambhu, conceptual artist Nina Pohl, DJ Nunguja Kisalya — London‑based today but raised in Berlin — architect and artist Thilo Reich, and South Korean dancer Youngchan Moon, who blends classical and contemporary elements in his movement.
Through their perspective, the creative identity of Berlin takes shape, and ic! berlin eyewear becomes the literal and symbolic lens capable of capturing the city’s most vibrant energies.

MCM: a Half-Century Journey

From Munich To Space

Founded in Munich in 1976, MCM (Modern Creation München), fully immersed in the city’s cultural and musical scene, quickly distinguished itself through bags, luggage, and ready-to-wear lines imbued with a creative and cosmopolitan spirit. Its leather accessories, marked with the Visetos monogram — featuring a laurel crown and diamond-shaped motif inspired by the Bavarian flag — rapidly became symbols of style, glamour, and freedom of expression, beloved by the international jet set. Today, present in 43 countries worldwide, MCM celebrates its 50th anniversary with a new milestone: the Spring/Summer 2026 Eyewear collection, created in collaboration with Marcolin.

A Sensory Collection

In this latest collection, design transforms into a tactile experience — a new chapter in the journey from Munich to Mars that began with the Autumn/Winter 2024 campaign. Inspired by the clean, functional lines of Bauhaus aesthetics, it looks to the future with new three-dimensional textures that become refined sculptural elements. The laurel motif, a historic emblem of the Maison, transforms into a striking detail on the elegant temple structures, while the Visetos monogram in acetate steps beyond mere decoration, evolving from symbol to substance. Without losing its connection to heritage, MCM transforms everyday life into a personal and aesthetic experience, where each frame becomes a mark of modernity, dynamism, and individual expression.

Limited Edition

The centerpiece of the collection is the new exclusive “Mars Mask” sunglasses — a bold, ultra-modern metal shield frame produced in a limited series. Inspired by astronauts’ helmets, the frame’s sleek, enveloping silhouette is elevated by a top spoiler and diamond-cut metal details on the lenses: a futuristic touch of luxury that highlights the eyewear’s high-tech, dynamic architecture. Produced in limited numbers and presented in a special commemorative case, these sunglasses perfectly capture MCM’s timeless spirit: creative, revolutionary, and always in motion — towards a bright future.

Marcolin: a 65-Year Legacy

The Founding Year

We may have forgotten, but in the early 1960s Italy was, quite literally, a different country. After running water and electricity, the first household appliances were beginning to enter homes, Fiat had just launched the 500, and the Autostrada del Sole motorway was still under construction.

These were the years of the economic boom, an extraordinary period of growth and opportunity, when the Italian economy was transforming, moving away from its agricultural roots. Small artisanal workshops in the Veneto region became central players in the country’s industrial development. It was within this context that the “Veneto Eyewear District” was born, the ideal environment for manufacturing temples and components for third-party eyewear producers. And it was precisely in this setting that Giovanni Coffen Marcolin began his entrepreneurial journey. In 1961, with a single machine installed in his basement and the support of his wife, he founded his own “artisan workshop” in Cadore.

The Company Takes Shape

Reading the early chapters of Marcolin’s history, one immediately understands Giovanni Coffen Marcolin’s first great strength: his ability to recognize the signals of change in a world where excellence and innovation were becoming essential. But crucially, he understood that growth required moving beyond the boundaries of a small artisan workshop.Thus, in 1964, “Marcolin Occhiali Doublé” was established. No longer a small family-run operation, but a growing company employing dozens, and soon hundreds, of local workers. The brand began reaching a broader audience through advertising, initially sponsoring ski competitions in Cortina, followed later by campaigns in newspapers and on television.From that moment onward, Marcolin’s success continued to expand. Three years later, the company relocated and expanded its facilities, first to Vallesella di Cadore and then, in 1980, to Longarone, where its headquarters remain today, now complemented by the new production plant in Fortogna.

An International Outlook

Marcolin’s second key strength? Its immediate international vision.

In 1968, the company made its debut on the global market, starting with the United States, distributing its products through a network of eight distributors. A few years later, it entered France, opening a subsidiary there in 1976, soon followed by branches in Switzerland and Germany.

Throughout this expansion, the company maintained direct and personal relationships with its partners, just as the founder had done in his small workshop in Cadore.

It is precisely from that unique cultural and geographical context, the cradle of Italy’s finest manufacturing tradition, that Marcolin’s success can truly be understood today. A company capable of combining artisanal excellence with advanced technologies, continuous research into materials, and refined design.

Qualities that, even today, the world continues to admire and value.

Zhang Hongyang

1

What does this symbolic animal of 2026 represent?

«With the arrival of the Chinese New Year, this steed charges forward. It carries the clarity of a new vision and the boldness of a new style—a momentum infused with power and grace. But it is when art meets craftsmanship that inspiration truly takes shape: together with Marcolin, we created a steed called ‘New Vision.’ From a single brushstroke to a fully realized frame, from concept to product, this is not just the birth of eyewear—it is an aesthetic journey that begins in the Year of the Horse».

2

Your works convey both immense energy and meticulous study. Do you see parallels with a designer’s work?

«A painting always starts with a single line of inspiration, evolving into a considered form and only completed when its spirit emerges. A new Marcolin frame follows the same path: precisely sculpted, imbued with character, and finished with soul. It is an artifact of vision, both literal and figurative. Eyewear design and artistic creation share the same essence: creativity as foundation, craftsmanship as structure. In painting a horse, a single precise stroke can define the clarity of its gaze, while a splash of ink captures the drive of its gallop. This mirrors the craft of eyewear, where the design of components, executed with millimetric precision, coexists with the intuitive hand-sculpting of curves».

3

How can the choice of material influence the final outcome?

«When selecting canvases, pigments, or inks, the material itself—for instance, the absorbency of rice paper or the texture of oil paint—deeply shapes the expressive result. The same applies to eyewear design: the choice of materials, from acetate to metal to innovative bio-based compounds, defines the tactile quality and user experience of the object».

Alberto Fratantonio

1

More than two years ago, after an extensive professional journey in the eyewear industry, you became Head of the Southern EMEA area for Marcolin. What are the strengths and challenges that characterize this particular market segment?

«Southern EMEA represents a significant and well-established part of the European market, where our main strengths are diversity, solidity, and relationships. Here, we have the right mix of sales channels, combining independent opticians with chain stores. Over the years, we have invested heavily both to consolidate traditional channels and to implement platforms for automated restocking management. Looking ahead, I see two main challenges: finding the right balance between craftsmanship and technological innovation, and generational change. In terms of innovation, for example, we are at a crucial historical moment: AI will profoundly reshape the current landscape, and we must be ready and prepared to harness its enormous potential ethically, with the goal of being the best partner for our clients».

2

Between technological innovation, design, and artisanal quality, which “ingredient” makes the difference when choosing a pair of glasses?

«There isn’t one ingredient more important than the others: craftsmanship, design, and technological innovation are all essential today to maintain a healthy and fruitful business relationship. Almost everyone asks for the same things: an excellent product, quality relationships, and impeccable after-sales service. That is why, in recent years, we have invested heavily in these pillars, with the goal of putting the client at the center of most decision-making processes»

3

On the occasion of the inauguration of this new showroom in Barcelona, how do you think the new Marcolin home can serve as a lever and advantage for clients in the Iberian area?

«Barcelona is the latest in a series of important Marcolin inaugurations worldwide, following New York, London, and Paris. This new space will allow us to place our clients even more at the center, continuing to strengthen our relationships with them. Opening the doors of our new home will also allow us to organize sales and training events, as well as present our extraordinary brand portfolio in a truly unique setting».

Jordan Keys and Alessandro Melis

Jordan Keys:

How did the idea for Vision Reframed come about?

«Vision Reframed grew out of a collaboration with one of my colleagues—an idea that truly spotlighted our mission at New York Tech: fostering innovative, collaborative projects. Being able to bring together our schools, the School of Architecture and Design and the College of Osteopathic Medicine, along with our industry partner Marcolin, allowed us to develop not just an abstract idea but something genuinely innovative and tangible».

Alessandro Melis:

Combining design, sustainability, well-being, and innovation requires navigating very different languages. What challenges and opportunities arise from merging these worlds?

«Bringing together design, health, and innovation is actually the very reason we organized the workshop. And this reason has become even more crucial today, in times of global crisis, because finding solutions now requires the contribution of people with different skill sets».

Jordan Keys:

Did it help you understand the potential of interdisciplinary collaboration?

«This project genuinely highlighted the value of interdisciplinary work in ways I could never have imagined. It made us reflect on how, in this technological era—with advancements like artificial intelligence—we simply cannot operate in isolation. Collaboration is essential: osteopathic medicine students working hand in hand with Architecture and Design students. Not only because it enables us to create a truly innovative product for people with diverse disabilities, but also because it let us reach technological heights that, as a physician, I could never have imagined».

Alessandro Melis:

Which ideas from the workshop best embodied the concept of ‘borderless design’?

«It’s impossible to single out just a few: all the ideas presented at the end of this journey fully embraced the complexity involved in designing a pair of glasses, and they all worked toward a universal design—not aimed at a specific target. We often tend to see technology as something distant from creativity, even as a limitation for design. But in this workshop we discovered the opposite: technology does not belong to a separate realm; it’s the tool that can bring together various dimensions of design, starting with careful attention to materials. Because diversity in creativity—and technology itself—is the driving force behind the designer of the future».

Jordan Keys:

How is the role of universities changing in promoting innovation and shaping the next generation of creatives?

«Industry and academia now depend completely on each other. At the university, we’re training the next generation of professionals—truly the most intelligent and capable generation I’ve ever worked with. But when you turn to industry, you have to ask: what does the community need? And when both sides come together, that’s when the most innovative and stimulating ideas can emerge».

Alessandro Melis:

Today the designer’s role seems to be shifting from ‘creator’ to ‘connector.’ How do you see this transformation?

«As a return to the origins of what the designer’s true creative role is. Students are often taught that the word architect means ‘master builder,’ but Aristotle originally gave it a different definition: the architect as a creator of ideas. And that is exactly what we hope to inspire in the next generation of designers».

See You At Mido 2026

An International Audience

New frames, lenses, machinery, materials and cutting-edge technologies: MIDO once again confirms its position as one of the most important events in the industry, attracting more than 40,000 visitors every year. For Marcolin, within the elegant setting of its stand in Hall 1, the event will provide the opportunity to present, in preview, the new collections of its licensed and owned brands, combining well-established partnerships with recent acquisitions. Among the highlights, the new acetate frame with oval lenses by TOM FORD Eyewear, accompanied by a distinctive pilot-inspired sunglass model from the exclusive Private Collection. Also in the spotlight, the third collection signed by Christian Louboutin, showcased at MIDO with a refined rectangular-shaped sunglass model.

Previews

Among the other unmissable novelties, the new version of the iconic Orizzonte I frame by ZEGNA Eyewear, recognizable for its distinctive raised bridge construction and, for the occasion, presented in an exclusive titanium version designed to ensure “second-skin” comfort. adidas Sport Eyewear also introduces Kentro, its new mask-style eyewear, ideal for everyday running sessions. Finally, Max Mara Eyewear unveils its latest elegant acetate sunglass model. The silhouette follows the classic cat-eye shape, enhanced by tubular metal temples.

Two Anniversaries

Within the spaces of Fieramilano, Marcolin also celebrates two significant milestones, starting with the 30th anniversary of ic! berlin’s debut. The iconic Berlin-based brand will be honored in a dedicated area with a special edition consisting of six models, optical frames and sunglasses, characterized by the minimalism and material excellence that define the brand. Lastly, to commemorate the 20th anniversary of the acquisition of the house brand WEB EYEWEAR, visitors will be able to see and try on two new sunglass models featuring the brand’s unmistakable metal torchon detail on the front and temples, where, as a surprise, the new logo created specifically for this anniversary makes its appearance.

Leadership Academy 2025/2026

The Project

That people are the true foundation of a company like Marcolin is once again confirmed by its innovative continuous training project, which for five years has promoted the development of professional skills within the organization. Leadership Academy – the name of the program launched in 2021 and enriched in 2023 with modules focused on strengthening soft skills linked to female leadership – goes beyond creating the best conditions to enhance individual aptitudes. It also serves as a training ground for building new, competent and inclusive teams, capable of addressing today’s challenges.

The Values

Openness to change, pragmatism, responsibility and a strong sense of belonging are among the key themes explored over the years during Academy sessions. Topics addressed – including in the most recent edition – have touched on major strategic areas, from the increasingly close dialogue between the physical and digital worlds to corporate social and environmental responsibility, as well as competition among European, Chinese and North American development platforms. A complex and challenging landscape that, more than ever, calls for agile, change-oriented thinking from aware and well-prepared leaders.

The Visit

Enhancing these days of work, study and workshops was a visit to Barovier & Toso in Murano, a historic company founded in 1200 and today an undisputed leader in glassmaking, as well as a point of reference for contemporary designers and artists eager to engage with a medium as unique and fascinating as glass. A manufacturing excellence where, much like at Marcolin, craftsmanship, technology and creativity converge – and for this reason, a true source of inspiration.